/

How to play the INNATO flute?

Questions And Answers

/

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

How to play and care

General

INNATO

NATEY

DOUBLE

ZENflute

OvA Flute

Shipping

How to play the INNATO flute

YouTube player

this video shows you the basics of playing the INNATO flute

Introduction to the Innato Flute

The INNATO flute takes its name from the Italian word for “inborn” or “innate,” reflecting the idea that the knowledge to play is already within you. This unique instrument is designed to feel intuitive, allowing you to express music that flows naturally from your body. As you explore its tones and rhythms, you’ll discover that playing the INNATO is less about learning and more about remembering what you already know.

Step 1: basics

  • Hold the flute and cover all the holes.
  • Gently and evenly blow out, similar  air pressure to how you would when whistling.
  • Experiment with the airflow. Blowing too hard will produce false tones, while blowing too softly may cause some tones to not sound at all. Find a stable and consistent airflow.
  • Ensure that you fully cover the holes with your fingers. If the holes are not fully covered, you will hear dissonance in the sound. Pay attention to finger placement to avoid unwanted noise.
  • Start randomly opening and closing the holes. Every combination produces harmonious sounds, so you can freely explore and discover different tones.

 

Step 2: Surf your breath

  • Think of your breath like surfing a wave. When surfing, you wait for the right wave to build up. Once it’s high and stable, you ride it with your surfboard. You keep riding the wave as long as it lasts, but you jump off before it breaks.
  • Similarly, with the Innato flute, as long as your breath is steady and controlled, you can continue playing. When your breath starts to weaken, you’ll hear it in the sound of the flute. At that point, stop playing and take a calm inhale.
  • It’s important to learn how long your breath lasts and how to make musical expressions within that span. After each breath, pause to inhale calmly before starting again. You’ll notice that listeners may even start breathing along with you, creating a unique connection between the player and the audience.

 

Step 3: Creating Rhythms and Accents with the “T” Technique

  • Use your tongue to create a “T” sound without voicing it, producing short bursts of air. This technique allows you to introduce rhythmic patterns into your playing.
  • By varying the intensity and timing of these “T” sounds, you can create accents that emphasize certain notes or phrases, giving your music more depth and expression.
  • Experiment with combining smooth, continuous blowing with these short bursts to create dynamic rhythms. This technique gives you more control over how you shape your melodies and allows for a wide range of expressive possibilities.

 

Step 4: Glissandos and Accents

  • Create glissando effects by slowly opening or closing a hole while blowing, allowing you to glide smoothly between notes.
  • Add accents by quickly tapping a finger on a hole while blowing. This is similar to techniques used in traditional folk instruments like the tin whistle or bagpipes.

 

Step 5: Playing on Someone’s Head

  • You can play the Innato flute on someone’s head, using bone conduction to transmit the tones through their skull to the inner ear.
  • Explain the process to the participant and make sure they are comfortable. They should signal their comfort without moving their head.
  • Pay close attention to their body language, hand movements, and breathing for any discomfort.
  • This method creates a unique and intimate experience where the head becomes part of the flute’s sound chamber.

 

Step 6: Playing with Intention: Listening as You Play

The Innato flute is not just an instrument for creating music—it’s a tool for reflection. When you play for others, don’t just focus on the act of playing. Instead, become one of the listeners yourself. Let the sound be a mirror, reflecting your own inner state as well as the mood and presence of those around you. Don’t approach it as a musician trying to perform. Instead, play with the awareness that you are part of the audience. Let each tone inform you, guiding your connection with yourself and others. In this way, playing the Innato becomes an experience of shared listening and mutual reflection.

 

Closing Note: Innato Explorations

To help you explore the possibilities of the Innato flute even further, we developed the Innato Exploration Cards. This deck of cards will includes examples, chord combinations, meditations, and breathing exercises that you can use to playfully discover new sounds and deepen your connection with the instrument. The Innato Exploration Cards are included as a complementary gift with every new Innato flute and also are for sale seperatly.

If you already have an Innato flute and don’t want to order the cards seperately, you can download a PDF version here:
Innato Exploration Cards Digital Version
Empty Innato Exploration Tabs

 

 

 

 

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

How to play the INNATO flute

YouTube player

this video shows you the basics of playing the INNATO flute

Introduction to the Innato Flute

The INNATO flute takes its name from the Italian word for “inborn” or “innate,” reflecting the idea that the knowledge to play is already within you. This unique instrument is designed to feel intuitive, allowing you to express music that flows naturally from your body. As you explore its tones and rhythms, you’ll discover that playing the INNATO is less about learning and more about remembering what you already know.

Step 1: basics

  • Hold the flute and cover all the holes.
  • Gently and evenly blow out, similar  air pressure to how you would when whistling.
  • Experiment with the airflow. Blowing too hard will produce false tones, while blowing too softly may cause some tones to not sound at all. Find a stable and consistent airflow.
  • Ensure that you fully cover the holes with your fingers. If the holes are not fully covered, you will hear dissonance in the sound. Pay attention to finger placement to avoid unwanted noise.
  • Start randomly opening and closing the holes. Every combination produces harmonious sounds, so you can freely explore and discover different tones.

 

Step 2: Surf your breath

  • Think of your breath like surfing a wave. When surfing, you wait for the right wave to build up. Once it’s high and stable, you ride it with your surfboard. You keep riding the wave as long as it lasts, but you jump off before it breaks.
  • Similarly, with the Innato flute, as long as your breath is steady and controlled, you can continue playing. When your breath starts to weaken, you’ll hear it in the sound of the flute. At that point, stop playing and take a calm inhale.
  • It’s important to learn how long your breath lasts and how to make musical expressions within that span. After each breath, pause to inhale calmly before starting again. You’ll notice that listeners may even start breathing along with you, creating a unique connection between the player and the audience.

 

Step 3: Creating Rhythms and Accents with the “T” Technique

  • Use your tongue to create a “T” sound without voicing it, producing short bursts of air. This technique allows you to introduce rhythmic patterns into your playing.
  • By varying the intensity and timing of these “T” sounds, you can create accents that emphasize certain notes or phrases, giving your music more depth and expression.
  • Experiment with combining smooth, continuous blowing with these short bursts to create dynamic rhythms. This technique gives you more control over how you shape your melodies and allows for a wide range of expressive possibilities.

 

Step 4: Glissandos and Accents

  • Create glissando effects by slowly opening or closing a hole while blowing, allowing you to glide smoothly between notes.
  • Add accents by quickly tapping a finger on a hole while blowing. This is similar to techniques used in traditional folk instruments like the tin whistle or bagpipes.

 

Step 5: Playing on Someone’s Head

  • You can play the Innato flute on someone’s head, using bone conduction to transmit the tones through their skull to the inner ear.
  • Explain the process to the participant and make sure they are comfortable. They should signal their comfort without moving their head.
  • Pay close attention to their body language, hand movements, and breathing for any discomfort.
  • This method creates a unique and intimate experience where the head becomes part of the flute’s sound chamber.

 

Step 6: Playing with Intention: Listening as You Play

The Innato flute is not just an instrument for creating music—it’s a tool for reflection. When you play for others, don’t just focus on the act of playing. Instead, become one of the listeners yourself. Let the sound be a mirror, reflecting your own inner state as well as the mood and presence of those around you. Don’t approach it as a musician trying to perform. Instead, play with the awareness that you are part of the audience. Let each tone inform you, guiding your connection with yourself and others. In this way, playing the Innato becomes an experience of shared listening and mutual reflection.

 

Closing Note: Innato Explorations

To help you explore the possibilities of the Innato flute even further, we developed the Innato Exploration Cards. This deck of cards will includes examples, chord combinations, meditations, and breathing exercises that you can use to playfully discover new sounds and deepen your connection with the instrument. The Innato Exploration Cards are included as a complementary gift with every new Innato flute and also are for sale seperatly.

If you already have an Innato flute and don’t want to order the cards seperately, you can download a PDF version here:
Innato Exploration Cards Digital Version
Empty Innato Exploration Tabs

 

 

 

 

How do I keep my instrument in good health?

Occasional clean your instrument with a soft, dry cloth and use it’s protective case to keep your flute in good condition. Avoid dropping, hitting, or putting it on a hard surface. Avoid exposure to extreme temperatures. After playing, let the instrument breath for a bit before closing its case. Avoid using any chemicals. 

How to play the INNATO flute?

The Innato flute takes its name from the Italian word for “inborn” or “innate,” reflecting the idea that the knowledge to play is already within you. This unique instrument is designed to feel intuitive, allowing you to express music that flows naturally from your body. As you explore its tones and rhythms, you’ll discover that playing the Innato is less about learning and more about remembering what you already know.

How can I contact customer service?

You can contact us by using the chat button button down right on this page, via email at info@stonewhistle.com or call us at [+31614125012] during business hours. 

Do you ship internationally?

Yes, we offer international shipping to many countries. If you are living in a country that is not available during checkout, please contact us for the possibilities. You can contact us by using the chat button button down right on this page, via email at info@stonewhistle.com or call us at [+31614125012] during business hours. 

What are your General Terms and Conditions?

General Terms and Conditions 1. Applicability These terms apply to all offers, orders, and agreements made through our webshop at www.stonewhistle.com. 2. Products Each instrument is handcrafted and custom-made, meaning slight variations in appearance or sound may occur. Custom orders may have additional lead times or costs. All instruments include a custom-designed travel bag. the waiting time for our products may vary and is mentioned on the website   3. Pricing All prices include VAT (where applicable) and are listed in Euros (€) or another valuta based on the country you select. Shipping costs are calculated during checkout. Prices may change, but the price at the time of your order is final.   4. Orders and Payment Orders can be placed through the website. Payments are securely processed via third-party providers. You will receive an email confirmation once payment is complete.   5. Shipping and Delivery Delivery Time: Most instruments have a 3-5 month waiting time due to their handmade nature. Ready-to-ship items are dispatched within 5 business days. Shipping Costs: Displayed during checkout based on location. Address Changes: Contact us to update your address before shipment. Damaged Items: Report any damage within 48 hours with photos to info@stonewhistle.com. please keep te original packing if a return of the instrument is required.   6. Returns and Refunds Right of Withdrawal: EU customers may cancel their order within 14 days of receipt (excludes custom-made items). Returns: Items must be returned in original condition at the customer’s expense unless defective. Refunds: Processed within 14 days of receiving the returned item.   7. Warranty Instruments are guaranteed against defects in craftsmanship for 6 months. Damage from misuse or wear and tear is not covered.   8. Liability Stonewhistle VOF is not liable for indirect damages. Total liability is limited to the purchase price of the product.   9. Governing Law These terms are governed by the laws of the Netherlands. Disputes will be resolved by Dutch courts.   10. Contact For questions, reach us at: Email: info@stonewhistle.com Phone: +31 (0)614125012

Can I cancel my order?

Orders can be canceled within 24 hours of placement. Please contact us to request a cancellation by using the chat button button right down on this page,via email at info@stonewhistle.com or call us at [+31614125012] during business hours. 

What colors are available

We use specially designed techniques to decorate our instruments, avoiding chemicals. Each instrument is crafted from pure clay and layered with homemade Terra Sigillata, made from fine clay particles gathered from our nearby river. The natural colors of the river clay define the unique finishes, and because no two clay batches are the same, each instrument takes on a distinct look. Additionally, our smokefiring technique introduces natural variations in color and pattern, ensuring every piece is one-of-a-kind. The soap bubble technique, combined with gold or copper Mica, creates mesmerizing patterns with a mother-of-pearl effect in the light. Our instruments are available in a variety of stunning finishes, though exact colors may vary. Available finishes may vary per instrument: Blue with red and gold bubbles Smokefired blue with red and gold bubbles Smokefired black with red and copper bubbles Smokefired black/red with golden bubbles Smokefired black/red tigerstripes      

How do we decorate our instruments

We use our own specially designed techniques to decorate our instruments, avoiding any use of chemicals. Our instruments are made from pure clay, and we decorate them with several layers of homemade Terra Sigillata. This very fine milky clay solution is made from the finest clay particles we gather from different spots along our nearby river, providing us with a range of natural colors after firing. Next, we use a soap bubble technique, which involves several different colors of Terra Sigillata, infused with gold or copper colored Mica which creates unique patterns and a mother-of-pearl effect when light shines on our instruments.