Occasional clean your instrument with a soft, dry cloth and use it’s protective case to keep your flute in good condition. Avoid dropping, hitting, or putting it on a hard surface. Avoid exposure to extreme temperatures. After playing, let the instrument breath for a bit before closing its case. Avoid using any chemicals.
The Innato flute takes its name from the Italian word for “inborn” or “innate,” reflecting the idea that the knowledge to play is already within you. This unique instrument is designed to feel intuitive, allowing you to express music that flows naturally from your body. As you explore its tones and rhythms, you’ll discover that playing the Innato is less about learning and more about remembering what you already know.
I’m committed to minimizing the environmental footprint of our instrument-making process, though there are still areas where improvements can be made. We build each instrument with natural Westerwald clay sourced locally. This clay is minimally processed and fires at a low temperature, preserving its natural character. For decoration, I create my own Terra Sigillata from dried leftover clay and wild clay gathered from the nearby river, capturing a sense of place in every piece. To achieve the unique patterns and colors, I use only green soap, mica, a food-safe blue pigment, and a touch of smoke from a handful of beech chips. Each flute is fired once in an electric kiln, with energy partly offset by the solar panels on our roof. After the initial firing, the flutes are smoke-fired to 500°C in a specially designed gas kiln, which efficiently contains all smoke emissions. Although this process currently uses gas, I am working on a solution to replace it with electricity to further reduce environmental impact. Each flute comes with a custom-designed bag made by a close friend in India who operates a small atelier from his home. I know him and his family personally and ensure he is well-compensated for his craftsmanship. We’re exploring more sustainable materials, but finding reliable sources remains a challenge in that region. All print materials are produced on recycled paper with eco-friendly ink. The new website is designed to be as lightweight as possible, reducing server usage to minimize its environmental footprint.
ZENflute: My oldest instrument, based on the Chinese Xun, encourages complete relaxation while playing. It’s a mirror for the breath, not just a musical instrument, and is often used privately due to its deeply personal nature. Natey: Inspired by Native American and South American vessel flutes, the Natey is a “pocket” Native American flute, one octave lower and easy to play. It empowers inner expression and can be a powerful tool for setting intentions in groups. Double Flute: Reflecting the duality of the lungs and brain, the Double flute allows both sides to sync or take turns. Its binaural effect is especially strong when played on someone’s head, creating a rich, immersive experience. Innato: Inspired by Sharon Rowell’s Huaca flute and Rafael Bejarano’s vision for close connection through sound, the Innato was a breakthrough. Playing it on someone’s head, allowing sound to travel through bone conduction, creates a safe, internal space. it is a unique, harmonic instrument and is also called “the flute under the Handpans” OvA Flute: Born from a friend’s wish to cradle a flute like a baby, the OvA is a combination of a vessel drum and flute, played in the lap. It produces low sounds and vibrations, functioning as both a rhythm instrument and flute with unique expressive possibilities.
Personal Journey and Motivation My journey with flutes began at 15, when I learned to make small ocarinas—high-pitched and challenging to play. Later, during an illness, I started working with clay and was inspired by the deep, resonant tones of the Chinese Xun. This sparked my interest in creating instruments focused on relaxation, breath, and awareness—flutes that are easy to hold and play. The sounds helped me recover, and I became fascinated by how certain tones positively impact the body and soul. Philosophy and Meaning I design each flute to be a safe space, an instrument for people to easily connect with sound. Every instrument has a unique resonance with the heart, body, and mind, encouraging “listening from within.” Just like the sound of a waterfall, these flutes offer different ways to reflect on oneself and look inward. I don’t see this as “sound healing” but rather “sound work,” where people use sound as a tool for their own healing. Creating each flute is a meditative process for me, and I don’t keep any for myself—they decide where they belong. Craftsmanship and Technique Clay is like water, only slower. You can guide it, shape it, and tell it what to become. Each flute presents a double challenge: it needs to be visually beautiful and produce excellent sound. I love the sound of raw, unfired clay, which disappears when it dries but returns after firing—a reminder to trust the magic that reemerges. The hardest part is balancing sound quality, which I achieve through proportional tuning to create pure harmonies. I work with only earth, water, fire, and air. While I use 3D printing to create precise molds for consistent tuning, each flute is hand-shaped for individuality. I avoid glazes and chemicals to keep the sound and texture natural. Instead, I use an ancient technique called Terra Sigillata—fine clay particles—for a smooth finish. Combining clay, soap, mica, and smoke, I’ve developed a unique finish that’s all-natural. Inspiration and Influences My work is inspired by Sharon Rowell, Rafael Bejarano, and the wisdom of ancient North and South American cultures. I enjoy blending traditional knowledge with modern techniques to push boundaries. Playing my flutes in nature forms a special connection; the environment responds uniquely to each instrument. Over the years, I’ve led workshops to teach others the magic of creating sound with clay. For six years, I’ve also taught young people in Auroville, India. Once I refine my techniques, I plan to share my knowledge through small masterclasses worldwide. Intended Audience and Purpose Most of those who use my flutes—whether sound workers, musicians, yoga teachers, or caregivers—connect with others through sound, focusing on breath and intention. If you’re choosing an instrument, don’t approach it as a performer. Instead, listen to it as a receiver, letting it speak to your breath and heartbeat. The right flute will connect you with yourself and others. Vision and Future of Stonewhistle I’ve always seen myself as an artist and inventor, sharing my discoveries with others and growing from
Each Stonewhistle flute is designed to connect deeply with the body and soul. While factors like size, weight, and budget may influence your choice, let your heart guide you. The right flute will resonate with you. I offer all flutes in different tunings and pitch (440 Hz or 432 Hz), so consider how it fits within your existing sound palette. Practical aspects, like size and travel, may also play a role—each flute comes with a custom travel case. The finish is personal and doesn’t affect sound quality. Each instrument is handmade with intention and carries a unique serial number, making it truly yours.
Every instrument is shipped in a sturdy box with special filling and comes with a custom made travel bag to travel around safely with your instrument.
Enter the discount code at checkout in the designated field to apply the discount to your order.
Yes, you are always welcome to visit our workshop, look around and have a tea. Please contact us in advance to schedule a visit. Be aware that we hardly have any stock as we mostly work by order.
Yes, sometimes we accept custom orders. Please contact us with your specific requirements, and we will work with you to create a unique flute. The waiting time for a custom instrument can be longer than with regular orders and extra costs can be charged. Contact us for more details. You can contact us by using the chat button button down right on this page, via email at info@stonewhistle.com or call us at [+31614125012] during business hours.
You can contact us by using the chat button button down right on this page, via email at info@stonewhistle.com or call us at [+31614125012] during business hours.
Shipping costs vary depending on your location and the shipping method selected. When you add an instrument to your shopping basket and fill in your address, it will automatically calculate the shipping cost.
Delivery times depend on the current waiting list and choice of instrument. The current waiting time is approximately 3-5 months. We ship with Fedex and DPD, most orders are delivered within 7 days after they have been shipped.
Yes, once your order is shipped, you will receive a tracking number via email to monitor the delivery status. You also can use our smart chatbox which you can find in the right bottom of our website. It will ask you for your email and order number to give you the correct information
Yes, we offer international shipping to many countries. If you are living in a country that is not available during checkout, please contact us for the possibilities. You can contact us by using the chat button button down right on this page, via email at info@stonewhistle.com or call us at [+31614125012] during business hours.
Yes, you can change your delivery address before the order is shipped by contacting customer service. You can contact us by using the chat button button down right on this page, via email at info@stonewhistle.com or call us at [+31614125012] during business hours.
General Terms and Conditions 1. Applicability These terms apply to all offers, orders, and agreements made through our webshop at www.stonewhistle.com. 2. Products Each instrument is handcrafted and custom-made, meaning slight variations in appearance or sound may occur. Custom orders may have additional lead times or costs. All instruments include a custom-designed travel bag. the waiting time for our products may vary and is mentioned on the website 3. Pricing All prices include VAT (where applicable) and are listed in Euros (€) or another valuta based on the country you select. Shipping costs are calculated during checkout. Prices may change, but the price at the time of your order is final. 4. Orders and Payment Orders can be placed through the website. Payments are securely processed via third-party providers. You will receive an email confirmation once payment is complete. 5. Shipping and Delivery Delivery Time: Most instruments have a 3-5 month waiting time due to their handmade nature. Ready-to-ship items are dispatched within 5 business days. Shipping Costs: Displayed during checkout based on location. Address Changes: Contact us to update your address before shipment. Damaged Items: Report any damage within 48 hours with photos to info@stonewhistle.com. please keep te original packing if a return of the instrument is required. 6. Returns and Refunds Right of Withdrawal: EU customers may cancel their order within 14 days of receipt (excludes custom-made items). Returns: Items must be returned in original condition at the customer’s expense unless defective. Refunds: Processed within 14 days of receiving the returned item. 7. Warranty Instruments are guaranteed against defects in craftsmanship for 6 months. Damage from misuse or wear and tear is not covered. 8. Liability Stonewhistle VOF is not liable for indirect damages. Total liability is limited to the purchase price of the product. 9. Governing Law These terms are governed by the laws of the Netherlands. Disputes will be resolved by Dutch courts. 10. Contact For questions, reach us at: Email: info@stonewhistle.com Phone: +31 (0)614125012
Orders can be canceled within 24 hours of placement. Please contact us to request a cancellation by using the chat button button right down on this page,via email at info@stonewhistle.com or call us at [+31614125012] during business hours.
We accept major credit cards, PayPal, Ideal (Europe) and many other secure payment methods depending of the country you are buying from. See our payment options at the checkout for more details.
We use specially designed techniques to decorate our instruments, avoiding chemicals. Each instrument is crafted from pure clay and layered with homemade Terra Sigillata, made from fine clay particles gathered from our nearby river. The natural colors of the river clay define the unique finishes, and because no two clay batches are the same, each instrument takes on a distinct look. Additionally, our smokefiring technique introduces natural variations in color and pattern, ensuring every piece is one-of-a-kind. The soap bubble technique, combined with gold or copper Mica, creates mesmerizing patterns with a mother-of-pearl effect in the light. Our instruments are available in a variety of stunning finishes, though exact colors may vary. Available finishes may vary per instrument: Blue with red and gold bubbles Smokefired blue with red and gold bubbles Smokefired black with red and copper bubbles Smokefired black/red with golden bubbles Smokefired black/red tigerstripes
We use our own specially designed techniques to decorate our instruments, avoiding any use of chemicals. Our instruments are made from pure clay, and we decorate them with several layers of homemade Terra Sigillata. This very fine milky clay solution is made from the finest clay particles we gather from different spots along our nearby river, providing us with a range of natural colors after firing. Next, we use a soap bubble technique, which involves several different colors of Terra Sigillata, infused with gold or copper colored Mica which creates unique patterns and a mother-of-pearl effect when light shines on our instruments.
How to play the Natey flute Step 1: Holding and Finger Placement Hold the Natey with all six holes on the top and the thumb hole on the bottom (left side) closed. Use your index, middle, and ring fingers of both hands to cover the six upper holes. Close the thumb hole with your left thumb. Let your pinkies remain free to support the Natey. Step 2: Producing a Sound Blow into the mouthpiece at the back of the Natey with a long, steady exhalation. Use a soft “T” sound to articulate the note: “T…”. This creates a clean, clear tone without any harsh beginnings. Step 3: Pentatonic Scale Lift your fingers one by one, starting with your right hand from the bottom to the top, followed by your left hand. Play the pentatonic scale: Do, Re#, Fa, Sol, La#, Do2. More air pressure is needed for higher notes, especially when all the holes are open. Step 4: Finger Technique Start from the bottom and move upward for a smooth transition. Combine the tones to play pentatonic melodies, similar to the Native American Flute. Step 5: Overblowing The Natey is a closed, or vessel, instrument and cannot be overblown to reach a second octave like open flutes. This allows you to use more breath for expression without switching octaves. Step 6: Instrument Characteristics Higher-pitched Nateys have a clearer, richer sound and often require a bit more breath pressure. Larger Nateys use less pressure and produce a softer, more meditative tone. Final Note The Natey offers you the freedom to express yourself musically with ease. Its pocket size and rich tone make it an ideal companion for wherever inspiration strikes. Any melody written for the Native American Flute can be played on the Natey, allowing you to explore a wide range of music. We’re also working on a special booklet with instructions and examples to help you discover even more possibilities with your Natey. Just pick it up, breathe, and let your creativity flow.
The ZENflute is played by exhaling slowly with a soft, long sigh, similar to breathing out gently and slowly. The sound is produced when all mouth muscles are completely relaxed, which is the opposite of how other blowhole instruments are played. Achieving this relaxed technique can be challenging, but once mastered, it creates a relaxation effect both through the act of playing and the soothing sound produced. If played with too much mental focus instead of an open heart, the mouth muscles may tense, causing the sound to disappear. This encourages you to shift your awareness from your mind back to your body, enhancing the meditative experience.
Sit comfortably, either on a chair or on the floor with your legs crossed, and place the instrument in your lap. The rounded base should rest securely against your body. You can gently cradle the instrument between your legs to keep it stable while playing.
Welcome to the world of the Double, a unique twin-chamber instrument designed to provide rich, stereo-like sound. The Double is like a double Nateyflute, with two flutes connected side by side. Each side has four fingerholes in the front and a thumbhole at the back, allowing you to play a pentatonic scale on both flutes simultaneously. The scale is Do, Re#, Fa, Sol, La#, Do2, providing a broad range of possibilities for melodies and harmonies. Let’s explore how to play the Double! Step 1: Holding and Finger Placement The Double has two sides, left and right, each with its own set of fingerholes. Use your pinkies to cover the first (lowest) holes. Use your ring fingers to cover the second holes. Use your middle fingers to cover the third holes. Use your index fingers to cover the fourth (upper) holes. Use your thumbs to cover the thumbholes at the back. You can choose to play both flutes together or focus on one side for melodies while using the other for bass notes. Step 2: Producing a Sound Blow gently into the small mouthpiece at the top, which divides the air between both flutes. Like the Natey, use a soft “T” articulation to start the note: “T…”. This creates a smooth, clear tone. Step 3: Pentatonic Scale Each side of the Double plays a pentatonic scale: Do, Re#, Fa, Sol, La#, Do2. Lift your fingers sequentially from the bottom to the top, starting with the pinkies for the lowest hole, then the ring, middle, and index fingers for the upper holes. You can experiment by playing both sides simultaneously for harmony or using one side for bass notes while improvising melodies on the other side. You’ll notice the stereo effect when playing both sides together, as the air flows through both chambers to produce a full, harmonious sound. Step 4: Finger Technique Follow a smooth sequence of finger movements for fluid transitions between notes. You can create rich harmonies by combining the tones of both flutes, giving the Double its characteristic stereo sound. Step 5: Overblowing and Vessel Flute Characteristics The Double is a vessel flute, meaning it produces sound one octave lower than a comparable open flute, despite its compact size. This gives the Double a deep, resonant tone. Additionally, the Double cannot be overblown to reach a second octave, allowing you to control your breath and explore expressive playing without jumping octaves. Step 6: Instrument Characteristics Playing the Double offers a versatile experience. You can focus on deep, bass-like sounds from one flute while creating melodies on the other. Alternatively, playing both sides together provides a stereo-like, harmonious effect that adds depth to your music. Step 7: Playing on the Head Like the Innato, the Double can also be played on someone’s head, allowing the sound to resonate through their skull via bone conduction. Make sure to explain the process to the participant and ensure they are comfortable. Observe their breathing and body